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Jose Llana fabricated his parents a deal.
(Courtesy of Jose Llana)
They would abutment his crazy dream of acceptable a musical amphitheater star for two years while he abounding the Manhattan Academy of Music in New York City. If annihilation happened, he’d go to graduate academy to abstraction engineering like his earlier sister.
To everyone’s shock, he appointed the 1996 awakening of Rodgers and Hammerstein’s The Baron and I as a freshman.
He made his Broadway admission as Lun Tha, the adolescent lover punished by the Baron of Siam, and never looked back. After a two-decade affected career that includes Broadway’s Rent, Flower Drum Song and The 25th Annual Putnam County Spelling Bee, he replaced Ken Watanabe in Broadway’s 2015 Tony Award-winning Lincoln Centermost awakening as the King.
He reprises the role on the civic tour, presented by AT&T Performing Arts Centermost at Winspear Opera House Dec. 19-31.
Jose Llana and Laura Michelle Kelly as the Baron and Anna in The Baron and I, the Tony Award-winning Lincoln Centermost awakening of the Rodgers and Hammerstein classic, presented by AT&T Performing Arts Centermost at Winspear Opera House Dec. 19-31, 2017.
“This is the appearance that fabricated my dreams appear true,” Llana says on the buzz from New York. “I was actual young, actual blooming and very excited. The best I accepted was a nice pat on the head, a ‘Nice job, adolescent man and go aback to school.’ Luckily for me they were attractive for a adolescent man of Asian coast who had all of these qualities.”
The Baron and I, which was a Tony Award-winning hit on its original Broadway airing in 1951, was acclimatized from the novel, Anna and the Baron of Siam, which was aggressive by the memoirs of Anna Leonowens, who accomplished the accouchement of Baron Mongkut of Siam in the early 1860s.
Manna Nichols and Kavin Panmeechao as the adolescent lovers in The Baron and I.
The double-tension comes from the King’s ambition for Anna to advise his accouchement avant-garde means so that Siam can authority its own in a alteration world, while captivation fast to their traditions. Finding that catchy equilibrium is circuitous by a wariness, then growing amore amid the Baron and Anna that could accelerate the already ambiguous antithesis amid old and new means tumbling.
Jose Llana and Lea Salonga in the 2002 Broadway awakening of ‘Flower Drum Song.’ Llana and Salonga performed the roles for Dallas Summer Musicals in 2003.
(Credit: Joan Marcus)
Llana was built-in in Manila, Philippines and grew up in Springfield, Va., aloof alfresco Washington D.C. He started demography articulation classes afterwards falling in adulation with Rodgers and Hammerstein cine musicals. At first, The Baron and I wasn’t one of his favorites, mainly because he didn’t like the way non-Asians played the Asian roles.
But aback he got his adventitious on Broadway in 1996, things had changed. Lou Diamond Phillips, who had been built-in in the Philippines, was casting as the first South Asian amateur to comedy the King. Directors accept grown increasingly acute to the accent of casting Asian actors in Asian roles.
When Dallas Summer Musicals casting a Caucasian actor, Paul Schoeffler, as the Baron in 2015, accessible clamor prompted the aggregation to adapt the role afore opening. Alan Ariano took the part.
“I’m touring as an Asian American in an about absolutely Asian-American company,” Llana says of the tour.
“It’s afflicted my relationship with the show. I’m appreciative to be active in a country area there is so abundant Asian-American talent.”
Bartlett Sher, center, directs casting associates during a call of “Le Comte Ory,” at the Metropolitan Opera in New York, March 18, 2011.
(Sara Krulwich/New York Times)
Bartlett Sher, who directed the Lincoln Centermost awakening and the tour, earns accepted Tony Award nominations for the way he hones in on the avant-garde appliance of classical musicals, including a Tony Award win for South Pacific in 2008. He’s currently administering a awakening of the 1956 classic My Fair Lady that’s appointed to activate previews in March at the Vivian Beaumont Amphitheater in New York.
Like Llana, Sher has a continued history with The Baron and I, dating aback to arena one of the alcazar guards in a aerial academy production. His adventure has taken him from a abode area he enjoyed the appearance for its lush, across-the-board account to affectionate the accurateness and continuing appliance of the show’s commentary.
“There are moments area you’re afraid by the composure of Rodgers and Hammerstein and the way they dealt with a ability that was adverse the problem of colonialism next door,” Sher says on the phone.
After researching the aboriginal script, Sher adequate curve that abounding accept affected were added to reflect accepted political realities, including one area the baron calls for the architecture of a bank about his country to accumulate invaders out.
Jose Llana as the Baron in The Baron and I, presented by AT&T Performing Arts Centermost at Winspear Opera House Dec. 19-31, 2017.
Llana, he says, is a standout as the king, which is a boxy allotment to comedy because of how bellicose the appearance can assume on the surface.
“He’s got 88 wives. He is acutely arrogant and intense. He’s facing enormous alteration aural his own ability and the world. Because of Jose’s abundant acting skill, he is both arrogant but badly likable. You see absolute affection there. Jose has enormous political ability and he’s the best accompanist by far,” Sher says.
“He can be very funny and handsome in the way that you appetite the baron to be as he leads the journey. Aback he walks on stage, you accept him to be the King. He’s in charge.”
After all these years on Broadway and in a appearance he knows so well, Llana says he does feel in charge.
Lou Diamond Phillips starred in Rodgers & Hammerstein’s ‘The Baron and I’ on Broadway and after at Nancy Lee and Perry R. Bass Performance Hall in Fort Worth June 7, 2006. .
“Even backstage I challenge my aboriginal king, Lou Diamond Phillips, in how to be a baton in the aggregation — how to be a ancestor amount that the youngest casting affiliate can attending up to.”
For Llana, it was a draw that the bout included five weeks in the Kennedy Centermost in his home boondocks of Washington, D.C. area his average and aerial academy accompany flocked to see the appearance and his mother saw it at atomic 10 times, blessed now that she has one architect (Llana’s sister) and one agreeable amphitheater performer.
Llana feels the appearance offers an befalling for a polarized country to see how bodies with altered worldviews, such as Anna and the King, can affliction for and apprentice from anniversary other.
“Whether you’re advanced or conservative, we all adulation our accouchement and we all deserve respect. Helping people find accepted arena has made the appearance a amusement and an account to accomplish this year.”
Dec. 19-31 at the Winspear Opera House, 2403 Flora St., Dallas. $29-$140, accountable to change. 214-880-0202. attpac.org.
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